This CD comes with a lovely case and very nice booklet with all the lyrics and dutch translation.
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lyrics
Of the Kanon Pokajanen, Pärt writes:
Many years ago, when I first became involved in the tradition of the Russian Orthodox Church, I came across a text that made a profound impression on me although I cannot have understood it at the time. It was the canon of repentance.
Since then I have often returned to these verses, slowly and arduously seeking to unfold their meaning. Two choral compositions (nun eile ich… 1990 and Memento, 1994) were the first attempts to approach the canon. I then decided to set it to music in its entirety from beginning to end. This allowed me to stay with it; and, at the very least, its hold on me did not abate until I had finished the score. I had a similar experience while working on Passio.
It took over two years to compose the Kanon Pokajanen, and the time “we spent together” was extremely enriching. That may explain why this music means so much to me.
In this composition, as in so many of my local works, I tried to use language as a point of departure. I wanted the word to be able to find its own sound, to draw its own sound, to draw its own melodic line. Somewhat to my surprise, the resulting music is entirely immersed in the particular character of Church Slavonic, a language used exclusively in ecclesiastical texts.
The Kanon has shown me how much the choice of language predetermines the character of a work, so much so, in fact, that the entire structure of the musical composition is subject to the text and its laws: one lets the language “create the music.” The same musical structure, the same treatment of the word, leads to different results depending on the choice of language, as seen on comparing Litany (English) with Kanon Pokajanen (Church Slavonic). I used identical, strictly defined rules of composition and yet the outcome is very different in each case.
O Master Christ God, Who hast healed my passions through Thy Passion, and hast cured my wounds through Thy wounds, grant me who have sinned greatly against Thee, tears of compunction. Transform my body with the fragrance of Thy life-giving Body, and sweeten my soul with Thy precious Blood from the bitterness with which the foe hath fed me. Lift up my down-cast mind to Thee, and take it out of the abyss of perdition, for I have no repentance, I have no compunction, I have no consoling tears, which uplift children to their heritage. My mind hath been darkened through earthly passions, I cannot look up to Thee in pain. I cannot warm myself with tears of love for Thee. But, O Sovereign Lord Jesus Christ, Treasury of good things, give me thorough repentance and a diligent hearth to seek Thee; grant me Thy grace, and renew in me the likeness of Thine image. I have forsaken Thee – do not forsake me! Come out to seek me; lead me up to Thy pasturage and number me among the sheep of Thy chosen flock. Nourish me with them on the grass of Thy Holy Mysteries, through the intercessions of Thy most pure Mother and all Thy saints. Amen.
Chamber Choir Kwintessens was founded in the Netherlands in 2005. Settled in The Hague, the Dutch Choir consists of 24
passionated singers. Committed to mostly contemporary music the choir has collected a large repertoire, serving its audience with more then only beautiful music. The choir stands out for creating an experience that touches the soul.
Founder & conductor: Raoul Boesten...more
supported by 11 fans who also own “Prayer after the Kanon (from the Kanon Pokajanen)”
I'm on my third listen and this album has real depth. Different passages keep leaping out at me, but I like the way it maintains a characteristic tone while being full of melodic, rhythmic and modal variety and even surprise. Really good. I wish I'd bought the CD. Peter Mason
supported by 10 fans who also own “Prayer after the Kanon (from the Kanon Pokajanen)”
I saw them perform for free in Bryant Park in NYC; I had no idea who they were; boy was I pleased. By the way, Attacca is a musical term that means to literally attack a note. dlummox
A work of beautiful, pointillist guitar from Martyn Heyne, the moving songs on “Electric Intervals” are made of tiny pinpricks of sound. Bandcamp New & Notable Nov 11, 2017
Fragile cello and piano recall the bleak childhood of brothers Sebastian and Daniel Selke spent in a large prefab estate in East Berlin. Bandcamp New & Notable Jan 10, 2017
supported by 9 fans who also own “Prayer after the Kanon (from the Kanon Pokajanen)”
Lehman's most emotional and most beautiful album to date. This album manages to be complex and extremely interesting to listen to while also feeling like a strong expression of emotion. Lehman's trio is incredible as usual, and they synergize perfectly with Craig Taborn. rat